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Sławek Berny & Paweł Biliński studio cooperation

Cooperations: percussion work with Sławek Berny

2023-08-10
arranger, composer, percussion, producer, slawekberny

In all the projects I work on, I always look for maximum truthfulness. On the occasion of producing Amelia Tokarska’s album, I had a great opportunity to work with Sławek Berny. Słwek is an excellent percussionist well known in Poland (working with, among others, Kroke, Grzegorz Turnau, Adam Sztaba Orchestra, Marek Grechuta, Piwnica pod Baranami and hundreds of artists in collaborations in the studio), who is known for his distinctive approach to the use of percussion. To quote Sławek: “I would like that in music they don’t talk about hindering, but helping.” This thought guided me while arranging my own adaptations of Celtic themes, which will be premiered as an album by Amelia Tokarska soon. In some of the songs I was looking for sounds typical of Celtic music, in others I was looking for a fresh perspective.

All the necessary sounds were recorded at Cavatina Hall in Bielsko-Biała, with the microphones setup necessary to achieve space within the Dolby Atmos standard. It was a real pleasure to juxtapose the sounds of the harp with such instruments as: chimes, wood chimes, triangle, woodblock, steeldrum, tens of percussion bells (each in specific key), janissaries (in polish – “janczarki”), drum cymbals in many sizes and shots, rainsticks and many more – each one in a few different dynamic shots.

Finally we had several hundred of recorded instrument sounds. Many people have asked – “why don’t you use ready-made samples, it will be much cheaper“? The answer is simple – none of the commercially available libraries matched what I want to achieve, and neither were they ready to be used in a Dolby Atmos mix – since microphone setup and quality were extremely important to me as a producer.

As a producer, I do not recognize compromises in sound quality, and I am sure after listening to the recordings that this was the best decision. During the intensive work on the arrangements, my assumptions were confirmed and harmony with the sound of the harps is what I was looking for – something ultimately very satisfying and deepening musical thoughts. Considering how fantastic the cooperation with Sławek was, I’m sure that the sounds produced together will be able to appear on other albums I produce – as it will be difficult to get better quality. Piotr Wilmanowicz was responsible for the session in the studio, and Tadeusz Mieczkowski was responsible for the mix.

Stay tuned!

Paweł Biliński / Krzysztof Maciejowski new album

Somewhere around Midsummer Night’s Eve: New album with Krzysztof Maciejowski announcement

2023-06-06
arranger, composer, krzysztofmaciejowski, newalbum, piano, producer

One summer evening, it seems, on Midsummer Night, in the company of skylights, in the garden next to the tenement in Bielsko-Biala where we both live with our families, we made the decision to pour our common musical chemistry onto an album. Get to know the announcement of the album we co-wrote with Krzysztof Maciejowski – it’s a duet of two distinct musical characters, where different influences and inspirations clash. It’s an album where we didn’t want, by design, to repeat anything that inspired us as listeners.

The premise behind our lengthy discussions is a concept album that tells a story about the world from a child’s perspective. These are various stories of characters fictionalized or inspired by literature to convey some universal truth about the relationship between an adult and a child. For adults, it’s an opportunity to immerse themselves in the emotions being accompanied by childhood memories and lost sensitivity, carefree and fresh perspective in the world around them. An opportunity to return to the values that were the meaning of existence when we were younger. We want to share with the listeners our perspective on this issue. We tread on the sinuous line between the dreams of childhood and the reality of adulthood. This is a musical journey through the meanders and backstreets of life. It’s a musical landscape painted with the emotions of growing up.

Musically, we have never been able to precisely pigeonhole what would define the style of the album’s contents. Our friends, who had the opportunity to listen to fragments of recordings and demos, defined it on the borderline of classical ambient, contemporary, with distinct influences of art-rock and improvised music. The music is extremely concrete, without unnecessary long-windedness, full of content and precisely planned moments, with scrolling references to French impressionism or the Romantic period. Most of the motifs for the songs were created while jammingg in my apartment – during often spontaneous meetings without any preparation. It gave the effect of incredible freshness in the music aspect.

We play with the consonance of my 60-plus-year-old piano, which sounds unique to us, and Krzysztof’s violin, resulting in a very tasty mix. There is no shortage of experimentation, which is definitely not the pure sound of the piano, but can be brought out with this instrument. There will be additional arrangements on the album, but the focus is on the two instruments.

Scheduled for release in the first half of 2024, but there will be previews and more spicy details before then.

Stay tuned!

Paweł Biliiński arrangements during album recording in Cavatina Hall with Amelia Tokarska

Let the dance begin!

2023-05-11
arranger, cavatinahall, celticharp, celticmusic, composer, harp, newalbum, producer, studio

“Let the dance begin” – as ending lyrics from Genesis “Dance on a volcano” said. Last year, I started to work intensively on a few musical projects in a variety of roles – as an arranger, composer, producer and keyboard player. This website will guide all the people that are interested in my work, including some spicy details on my work. To be precise from the very beginning (since I don’t like making only communication noise at all): I am currently running four projects that vary in terms of the degree of progress – different by genre, approach and people I cooperate with.

Shortly: harp album including Celtic and Scottish themes played by a fantastic harpist Amelia Tokarska, piano&violin project (truly: very tough to categorize, but something between ambient, contemporary music with improvisation elements) with Krzysztof Maciejowski and…some other two I will show you soon – emotions guaranteed.

So many exciting musical moments with beautiful and hopefully inspiring stories behind them. Finally what’s the most important: at least one of those projects will be released as an album in a few months this year.

Stay tuned!

P.S: Photo from the Cavatina Hall in Bielsko-Biała during harp album recording sessions. Every
post will include some photos from my work, I hope you’ll enjoy.

Please follow my Facebook page, so you can always be tuned.

Paweł Biliiński arrangements during new harp album recording in Cavatina Hall with Amelia Tokarska

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About

Paweł Biliński – a versatile composer, arranger, producer and keyboard player. He specialises
in composing and arranging for celtic and pedal harp, as well as for harp in chamber music projects. Together with well-known artists from Poland and Europe, he creates music projects in the field of Celtic music, harp music, classical music and soundtracks as an arranger, composer, producer and artistic director. As a performer – keyboard player of music from the borderline of ambient classical, contemporary and artrock music. In this blog Paweł publishes details from his musical life.

Learn more »


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